Tuesday, December 28, 2010

Consumer Report Dishwashers

Chariot S. Rocco: the Crusades and "radiant Lucia

The idea of \u200b\u200brepresenting the Crusades, with orders of chivalry and retrieved the relics to Constantinople. Saint Lucia, Saint Agatha and the Holy Shroud. And finally, the "Gloria", where the patron, represented by a young belpassese at the height of 11m, is invested by the light of God
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This year's theme of our wagon 'was like every year proposed by one of the tank drivers. In our group we are a family, without distinctions between newcomers and old tank drivers, so anyone who proposes an idea, if you like and then persuades, moves forward. This time, the idea came from our fellow tank crewman Nino Girgenti, and we all together we have come to believe with the support and suggestions of our pastor, Don Vito Grasso. Then as in subsequent meetings we've made small changes to both the theme, both scenic and mechanical. The issue we faced convinced us why so explicitly tackled in the battle of Saint Lucia, in terms of "message" to people, both spectacular.
Without the project, it was done without making major changes to the letter. The choice issue has split the focus of the Christian laity.
The Scene. The first, which would map the two crusaders and above the flag with the arms of the various popes who wanted the Crusades and the various orders of chivalry who took part, wants to represent the places where the crusaders were about to fight. So then you did believe that all wars are willed by God because they were supported primarily by the church in particular by the various popes in the next scene you see the Crusaders are represented by real characters representing Saracens, the Templars and the various orders of knights participated in the Crusades.
In the next panel we see two major battles. The first is that of Hattin in which the traces were lost of the true cross of Jesus Christ, the sack of Constantinople in the second representing the Last Crusade in which the relics had been stolen earlier in the interest of economy, were recovered and riportate in Italia sotto il controllo della Chiesa cattolica, rappresentata nel pannello dal Vaticano. Ad esempio, il corpo di sant’ agata, il corpo di Santa Lucia e la Sacra Sindone; infatti nel carro si vedono le rappresentazioni di queste reliquie, in primo piano la Sacra Sindone con il relativo sarcofago, dove veniva custodita, nella chiesa di Santa Sofia; nella scena successiva si vedono una schiera di angeli avvolti da una luce intensa che sta a rappresentare l’irradiazione divina di cui la nostra Santa Lucia è stata illuminata. L’ultima scena, invece, da noi chiamata “la Gloria”, rappresenta un rosone medievale perché ci riporta a quel periodo; alla sua apertura, mostra la nostra Santa Lucia represented by a young girl (Melissa Falà), I would say brave because we are talking about a height of about 11 meters. About
working techniques and structure of the scenes are made from iron frames, covered with plywood, polystyrene gazato to be made very hard, fiberglass, cardboard etc.. It should be noted Sant'Agata made life-size, from Gianluca Ribaudo with das and clay, built about 22 years ago when he was seventeen. The body of Saint Lucia and the sarcophagus made of paper mache wire all set in motion by real gimmicks all built by hand as trucks, "vain", crick of old cars (see fiat 500, 600), universal joints, pulleys ,cavi di acciaio, il tutto accompagnato da una buona dose di fede, amore, sacrifici, nottate, freddo e spirito di gruppo.
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Giuseppe Cavallaro
del Gruppo dei Giovani cantanti di S.Rocco

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